Artist in conversation: Suvrita Kothari
“ my journey extends beyond personal growth to a commitment to preserving traditional craftsmanship.”
Suvrita is a designer with a flair for crafting captivating designs that blend vibrant hues and intricate patterns. With a refined sense of detail and a profound appreciation for the design process, Suvrita's work shines through her unique perspective. Her passion for printmaking adds a layer of richness to her creations, amplifying their depth and allure.
What sets Suvrita apart is her innovative approach to woven fabrics, where she seamlessly marries traditional Indian artistry with contemporary aesthetics. The result? Exquisite pieces that stand out for their unparalleled beauty and practicality. Whether curating for fashion or home settings, Suvrita's unwavering dedication to her audience drives her to create pieces that not only dazzle visually but also prioritise comfort and longevity.
In Suvrita's artistic world, every design tells a story, blending heritage with modernity to deliver truly exceptional pieces that captivate the senses and elevate everyday living spaces.
What initially inspired you to become an artist, and how did you develop your unique style?
From the age of four, my journey as an artist commenced with drawing classes, revealing an innate love for crafts. A profound passion for weaving emerged during my foundation year where I researched and did a few projects amalgamating graphic design with textiles. I have always been intrigued by colors, textures, architecture and my Indian roots and they have served as an inspiration in most of my works. Experimentation with diverse materials and a relentless pursuit of creativity played a pivotal role in shaping my style and approach to textiles.
Do you have any rituals or routines that help you get into a creative mindset when starting a new project?
Absolutely! Before diving into a new project, I immerse myself in inspirational sources, from nature to art, sparking initial ideas. I often start with a brainstorming session, drawing raw ideas without judgment. Coffee breaks : my weapon against burnout.
How did you first discover your passion for design, and what motivated you to pursue it as a career?
I chose design as a career for the profound narrative it carries. It’s a dynamic intersection of creativity and problem solving. The ability to fuse beauty with purpose captivated me. Every pattern, hue and texture becomes a language, it fuelled me to try and excel.
Are there new techniques, materials, or themes you are excited to explore in upcoming projects?
The prospect of venturing into mono materials is on my creative horizon and I’m eager to explore this in upcoming projects. The idea of working with a single material presents a thrilling challenge, promising both aesthetic discovery and a more sustainable design approach.
Can you share a project that holds special significance for you? What made it memorable, and how did it contribute to your growth as a designer?
‘More than Taj Mahal,’ my recent project, holds a profound significance as it intertwines my roots with contemporary design. Exploring the rich crafts and architecture of my homeland, India, made it a personal journey. The fusion of modern design with traditional crafts not only celebrated my cultural heritage but also propelled my growth by pushing boundaries and embracing the harmonious blend.
How do you incorporate feedback from critics and audiences into your artistic practice, and how do you balance this feedback with your own artistic intuition?
I see criticism as constructive insights, weaving diverse perspectives into my process. It’s a nuanced process - refining my work based on valuable feedback while staying true to the essence of my vision. I try to anchor myself in the core of my creative intuition, like a compass guiding every brushstroke. For me, it’s about embracing growth without losing the authenticity which makes my art uniquely mine.
How do you stay motivated and inspired despite any setbacks or creative blocks you may encounter?
There’s a quote by Vincent van Gogh, I keep at the back of my head “Great things are not done by impulse but a series of small things brought together,” to find motivation in the cumulative impact of small, consistent efforts. This helps setbacks become stepping stones and creative blocks, chances to build my artistic mosaic.
How do you feel about exhibiting your artworks with The Holy Art Gallery?
I’m honored and grateful for this opportunity. The gallery’s reputation aligns with my aspirations for showcasing work in a space that values artistic expression. This collaboration not only offers exposure but also enriches the connection between my art and those who appreciate it, making it a significant milestone in my journey as a designer.
Looking ahead, what are your long-term goals and aspirations as an artist, and how do you plan to achieve them?
In the long term, my journey extends beyond personal growth to a commitment to preserving traditional craftsmanship. I aspire to collaborate with local artisans and communities, breathing life into handweaving traditions. My goal is to not only create art but to contribute to the continuity of handweaving, preserving its vibrancy in our global heritage.
What role does emotion play in your creative process, and and how do you aim to evoke specific feelings or reactions from those who view your artworks?
As a designer, I believe that the backbone of a good piece is the story through which it has transformed. My focus on research, experimentation and development is geared towards connecting the viewer with the journey.
