Artist in conversation: Beatrice Morel



‘‘Despite setbacks or creative blocks, I stay motivated and inspired by acknowledging my fear of the blank canvas.’’

Beatrice Morel, an artist holding dual French and Italian citizenship, divides her time between these two nations to nurture her artistic pursuits.

As a painter, Beatrice has honed her unique technique, experimenting with various approaches to applying oil-based colors. Her paintings serve as abstract interpretations of the natural world.

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What initially inspired you to become an artist, and how did you develop your unique style?

What initially inspired me to become an artist was my early experiences as a craftsman goldsmith and mosaicist. Working with my hands and creating intricate designs fueled my passion for visual art. Over time, this hands-on craftsmanship evolved into a love for painting, where I could translate my skills into a new medium. My style developed naturally as a free flow of creativity, allowing me to experiment and express my ideas without constraints, blending the precision of my previous work with the spontaneity of painting.

In terms of subject matter, what themes or motifs do you frequently explore in your work, and what draws you to these topics?

In terms of subject matter, I frequently explore themes of abstract nature, the hidden feelings within me, and the chance encounters with the world around me. I am drawn to these topics because they allow me to express a deep connection with both my internal emotions and the external environment, creating a rich tapestry of visual storytelling that resonates with viewers on multiple levels.

Can you walk us through a typical day in your studio? What rituals or routines help facilitate your creative process? Can you walk us through a typical day in your studio? What rituals or routines help facilitate your creative process?

I like to have my coffee in the morning looking at the sea, the quiet of the ambience makes me feel in touch with my emotions and helps me with the creative process before I start to paint.

How do you approach experimentation and innovation in your art? Are there any recent techniques or materials you've been particularly excited to explore?

I approach experimentation and innovation in my art with an open and adventurous mindset. Recently, I’ve been particularly excited to explore techniques using a variety of tools and materials, such as rags, knives, mounds of paint, lines created with cellar tape, and spatulas. These methods allow me to push the boundaries of traditional painting and bring new textures and dimensions to my work, constantly evolving my artistic expression.

How do you stay connected with other artists and keep up with new developments and trends in the art world?

I stay connected with other artists and keep up with new developments and trends in the art world by attending expos like Frieze and visiting galleries regularly. Additionally, I engage with the art community on social media, which allows me to discover emerging trends, share my work, and connect with fellow artists globally.

How do you incorporate feedback from critics and audiences into your artistic practice, and how do you balance this feedback with your own artistic intuition?

Incorporating feedback from critics and audiences into my artistic practice is a challenge for me, as I don't take feedback well. I strive to balance this by staying true to my artistic intuition and focusing on my personal vision. While external opinions can be valuable, I prioritize my own creative instincts to ensure that my work remains authentic and true to my unique style.

How do you stay motivated and inspired despite any setbacks or creative blocks you may encounter?

Despite setbacks or creative blocks, I stay motivated and inspired by acknowledging my fear of the blank canvas. This fear is a natural part of the creative process, but I trust that the muse will eventually return. Embracing this ebb and flow helps me to remain patient and open to inspiration when it strikes, allowing creativity to flow once again.

How do you feel about exhibiting your artworks with The Holy Art Gallery?

I feel good about exhibiting my artworks with The Holy Art Gallery. This opportunity allows me to share my creations with a wider audience and connect with other artists and art enthusiasts who appreciate diverse and innovative expressions of art.

Looking ahead, what are your long-term goals and aspirations as an artist, and how do you plan to achieve them?

Looking ahead, my long-term goals and aspirations as an artist include selling my art and exhibiting in more countries. I plan to achieve these goals by continuously creating and evolving my work, participating in international exhibitions, and building connections within the global art community.

What role does emotion play in your creative process, and and how do you aim to evoke specific feelings or reactions from those who view your artworks?

Emotion plays a significant role in my creative process, as my work is often a reflection of my inner feelings. However, I do not aim to control the emotions or reactions of those who view my artworks. I prefer to leave it up to the viewers to interpret my art as they wish, allowing each person to experience and connect with it in their own unique way.

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