Artist in conversation: Kiwook Rha
“I believe all creation starts from experience”
Kiwook Rha is an artist whose creations dwell in the delicate balance between beauty and misfortune, invoking a deep exploration into the existential values that tether us to our perceptions of life and art. His work stands as a bold declaration that misfortune, often unrefined and disorienting, can be a profound element of the artwork itself, challenging viewers to find solace and beauty in the unexpected.
Through his innovative approach, Kiwook Rha invites observers to confront the chaos, to see beyond immediate perceptions of despair, and to discover the inherent beauty that lies within. His art transcends conventional aesthetic limits by integrating elements of disarray and misfortune, creating a space where viewers are encouraged to engage with their vulnerabilities.
What initially inspired you to become an artist, and how did you develop your unique style?
It was due to the pure enjoyment and interest in art and design. It seems that the exploration of various forms and history, not just the process and outcome of creation, has led to becoming an artist.
In terms of subject matter, what themes or motifs do you frequently explore in your work, and what draws you to these topics?
The most important thing is aesthetics. Additionally, I strive to incorporate philosophical concepts or issues into my work.
How does your personality or personal experiences influence your artwork?
I believe all creation starts from experience. It's important to have diverse experiences and feel many things.
Are there specific themes or messages you aim to convey through your art, and how do you want viewers to engage with your pieces emotionally or intellectually?
There is no specific topic yet.
Can you tell us about a project or illustration that you found particularly challenging or rewarding?
I consider the project "A Blessing in Disguise," exhibited this time, particularly challenging and rewarding. The process of incorporating unplanned and spontaneous situations and events into the outcome was new and challenging.
How do you incorporate feedback from critics and audiences into your artistic practice, and how do you balance this feedback with your own artistic intuition?
Feedback is really appreciated as it helps me not to get trapped in my own world. It's important to achieve self-objectivity through feedback.
How do you stay motivated and inspired despite any setbacks or creative blocks you may encounter?
Sometimes, it seems like letting things flow without being too greedy is also a good approach.
How do you feel about exhibiting your artworks with The Holy Art Gallery?
The Holy Art Gallery feels truly passionate and vibrant. I was delighted to exhibit in such a place.
Looking ahead, what are your long-term goals and aspirations as an artist, and how do you plan to achieve them?
My current goal is to graduate from the Royal College of Art and create and exhibit many works as an artist and designer thereafter.
What role does emotion play in your creative process, and and how do you aim to evoke specific feelings or reactions from those who view your artworks?
Of course, I hope people empathize with my emotions expressed in the artwork, but it's also enjoyable to see various perspectives and emotions from different people.