Artist in conversation: Lola Li
“ each photograph had the potential to encapsulate not just a moment but an entire narrative, connecting the viewer to the essence of that captured time”
Lola Li is a published photographer with an impressive portfolio spanning over four years in portrait, theatre, and fashion photography. With a diverse background having lived in Beijing, Paris, Cambridge, and London, Lola brings a unique multicultural perspective to her work.
Lola's work delves deep into the concepts of temporality and spatiality, showcasing the inherent beauty of the human form. She draws inspiration from her multicultural background, exploring the interplay between time and space in her visually striking compositions.
Armed with an MPhil degree in Film and Screen Studies from the University of Cambridge and training in Fashion Photography at Central Saint Martins, UAL, Lola has honed her skills to create filmic and high-quality images that narrate compelling stories.
Her work has been featured in notable publications such as PhotoVogue, Flanelle, Moevir Paris, Selin, and 17:23, a testament to her talent and expertise in the field. Currently based in London, Lola, a native of Beijing, uses her keen eye to capture the essence of human experiences.
What initially inspired you to become an artist, and how did you develop your unique style?
It all started in a winter, when I picked up my father's old 35mm camera from a dusty drawer. When I loaded batteries in it, I discovered that there was a roll of unfinished film inside. I didn't know when the camera was last used. I took a few pictures to finish the roll, and sent it to a lab to have the film developed. The results shocked me: there were pictures from probably 10 years ago -- pictures of myself when I was a kid, pictures of my grandparents who'd passed away. That touched me a lot, because my loved ones in the pictures were no longer with us, but the imprints of their images travelled through time.
Upon rediscovering those nostalgic images, I found myself drawn to the power of capturing moments that transcend time. The emotional impact of seeing my past, frozen in those photographs, ignited a passion for storytelling through visual art. I realised that each photograph had the potential to encapsulate not just a moment but an entire narrative, connecting the viewer to the essence of that captured time.
In my artistic journey, I began to explore ways to evoke emotion and convey stories through composition, lighting, and subject matter. I experimented with different techniques to enhance the atmospheric qualities of my photographs, aiming to recreate the ethereal feeling I experienced when I first saw those images from the past.
In terms of subject matter, what themes or motifs do you frequently explore in your work, and what draws you to these topics?
I am deeply captivated by the multifaceted nature of femininity. In my work, I seek to explore the intricacies of women's lived experiences, capturing the nuances of emotion, strength, vulnerability, and resilience, unfolding layers of the feminine identity, celebrating the diverse stories and journeys that women embark upon.
Furthermore, my fascination with temporality and spatiality stems from a desire to explore the fluidity of time and the ever-changing nature of the spaces we inhabit. I am drawn to the idea that each moment exists within a unique temporal and spatial context, and through my art, I aim to freeze these dynamic elements, allowing viewers to contemplate the intersection of past, present, and future within a given space.
Can you discuss a specific piece or project that challenged you as an artist, and how you overcome those challenges?
I am currently working on a project on 'self-misogyny', which has been emotional and challenging to me. Dealing with the subject of internalised misogyny, I found myself confronted with the task of translating complex and often unpleasant memories into visual narratives through my photographs.
It was important for me to approach the project with empathy for the subjects and a commitment to fostering understanding rather than perpetuating pain.
How do you stay connected with other artists and keep up with new developments and trends in the art world?
I maintain a vibrant connection with the artistic community by actively engaging with artworks across diverse mediums. Attending exhibitions, ranging from contemporary showcases to timeless classics, is an integral part of my routine. Experiencing art in person allows me to immerse myself in the nuances of each piece, appreciating the textures, colours, and spatial elements that may be lost in digital representations.
In addition to gallery visits, I draw inspiration from the cinematic world and theatre performances. Movies, with their visual storytelling and cinematography, offer a unique perspective that often sparks fresh ideas for my own creative process. I feel especially inspired by the work of Céline Sciamma and Wong Kar-Wai. Similarly, live theatrical performances provide an immersive experience that goes beyond the visual, engaging multiple senses and expanding my artistic horizons.
Last but not least, I actively seek out opportunities to connect with fellow artists through collaborative projects, workshops, and community events.
How do you incorporate feedback from critics and audiences into your artistic practice, and how do you balance this feedback with your own artistic intuition?
I highly value the input of both critics and audiences as an essential part of my artistic journey. Actively seeking constructive criticism is a key element of my creative process. I believe that art is a continuous learning experience, and the perspectives of others can offer valuable insights that contribute to my growth as an artist.
Balancing external feedback with my own artistic intuition is crucial. While I appreciate the insights of critics and audiences, I also recognise the importance of staying true to my creative instincts and vision. It's a delicate dance between incorporating valuable feedback and preserving the authenticity of my artistic voice.
How do you stay motivated and inspired despite any setbacks or creative blocks you may encounter?
I've found that allowing myself the freedom to step back and take a break is crucial. I believe that creativity can't be forced, and giving myself permission to pause and recharge is a powerful strategy. During these breaks, I engage in activities that bring me joy and relaxation, such as singing, dancing, or doing something entirely unrelated to my work. These moments of respite serve as a reset for my mind and often lead to a fresh perspective when I return to my creative work.
How do you feel about exhibiting your artworks with The Holy Art Gallery?
I am thrilled and honoured as this is my first time having my photography exhibited in such a vibrant gallery in London. I see this as a chance not only to share my unique perspective through photography but also to connect with a diverse and discerning audience.
I feel grateful to by part of the exhibition at the Holy Art Gallery, and look forward to discussing my work with the audience.
Looking ahead, what are your long-term goals and aspirations as an artist, and how do you plan to achieve them?
Looking ahead, my long-term goals as an artist are rooted in a dual commitment: to push the boundaries of my creative expression through experimentation with diverse techniques and mediums, and to embark on a journey of self-discovery through my artistic practice. By intertwining personal narratives with artistic expression, I hope to create work that is not only visually compelling but also authentically reflective of my journey as an individual.
In addition, I an open to opportunities for exhibitions, residencies, and public art projects, which would allow me to share my work with a wider audience but also provide valuable feedback and critique that can further shape my artistic practice.
