Artist in conversation: One Hundred
“It's all about enjoying the end…”
One Hundred is a visionary artist who has masterfully fused the art forms of collage and silk screen to create contemporary pieces that are as unique as they are captivating. Operating from his own shop, One Hundred has committed to producing a limited collection of only 100 works, each one a testament to his creativity and craftsmanship.
His artwork is a dynamic blend of old and new, traditional and modern. By incorporating the collage technique, he layers different elements, textures, and meanings, creating depth and complexity in each piece. The use of silk screen further adds a distinct aesthetic quality, resulting in vibrant, visually striking artworks.
One Hundred's dedication to producing a limited number of pieces reflects his belief in the importance of process over product. Each work is not just an end result, but a journey – a physical manifestation of the artist's exploration, experimentation, and evolution. This intentional limitation also adds a sense of exclusivity and significance to each piece, making them highly sought after by art enthusiasts.
Through his art, One Hundred invites viewers to join him on his creative journey, to appreciate the intricacies of his process, and to find their own interpretations within his layered compositions. His work challenges the norms of contemporary art, setting new trends and pushing boundaries.
Despite his name, One Hundred is more than just a number. He is an artist dedicated to his craft, constantly evolving, and forever striving to create works that resonate with audiences. Each of his 100 pieces is a step on his artistic journey, a milestone marking his growth and evolution. His innovative approach to artistry is a breath of fresh air in the art world, eagerly anticipated by critics and collectors alike.
What initially inspired you to become an artist, and how did you develop your unique style?
A sensibility can come across even if we don't understand the language, so I became an artist to express my sensibility.
In terms of subject matter, what themes or motifs do you frequently explore in your work, and what draws you to these topics?
The theme is pop art based on “UKIYOE,” Japanese art that originated in the early Edo period, and I want to spread it throughout the world. Additionally, I'm trying to create familiar art that people would want to hang on their wall, not just pieces for capitalization.
Can you discuss a specific piece or project that challenged you as an artist, and how you overcome those challenges?
I'm glad to encounter difficulties and problems, because it means I'm confronting them earnestly. I'm getting used to riding the waves of difficulties like surfing, not just saying that “I’m overcoming the difficulty”.
Your commitment to creating just 100 works is both impressive and intriguing! We'd love to learn more about the significance of this limitation for you as an artist. How does it impact your creative process and decision-making when it comes to selecting the subjects or themes for each piece?
Everything has an end, including creating artworks. By setting an end, I can take better care of the process. Nothing excites me more than imagining myself creating 100 artworks in the future. It's all about enjoying the end.
What do you hope to convey to viewers through this intentional and limited artistic journey?
The number and the result are not so important. I want viewers to feel how wonderful the process is.
How do you stay connected with other artists and keep up with new developments and trends in the art world?
I believe I should set the trend. I cannot surpass other artists' works by merely following the trends they set. Therefore, I aim to establish new categories and trends in the art world.
How do you incorporate feedback from critics and audiences into your artistic practice, and how do you balance this feedback with your own artistic intuition?
What concerns me most is whether people want to hang my artworks on their wall. I'm not interested in the technical evaluation of my art. I hope that my art tickles the viewers' senses. That's everything.
How do you stay motivated and inspired despite any setbacks or creative blocks you may encounter?
I welcome failure in all events. I believe in the phrase “no failure no success”. I will do my best to create my artworks, and to fail in its process, until the 100 artworks are created.
How do you feel about exhibiting your artworks with The Holy Art Gallery?
I feel honored that sensitive people appreciate my artworks in all events.
Looking ahead, what are your long-term goals and aspirations as an artist, and how do you plan to achieve them?
As an artist, I have an end goal. I don't know when my 100th artwork will be completed. I would love for people to enjoy my process of creating them as well.