Artist in conversation: Faiza Bilgrami

“My work is a personal expression of my experiences and creativity, and it's important that it remains authentic to me”

Faiza R. Bilgrami is a textile designer and an artist. She graduated from Indus Valley School of Arts and Architecture where she did Bachelor in Textile Design and is now pursuing her Master in Fine Arts from the University for the Creative Arts London. As she embarks into the real world, she is debuting and exhibiting her work.

Her work is surrounded by working with different techniques of designing and weaving, creating prints and designs. Her recent collection was of saris based on the concept of intertwining nature and the five senses. Her educational background is related to sciences and whilst studying it was often the case, that parallels would be drawn between nature and anatomy. An artist to the thee, her work is not limited to Textile design only. At present, she is working with new media, visual art and photography with the concept of our 5 special senses.

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What initially inspired you to become an artist, and how did you develop your unique style?

I was in third grade, about nine years old when I drew a simple fish which instead of painting, I decided to colour in by sticking small coloured paper balls. When I brought it home, my father exclaimed with surprise as if he has set his eyes on something ethereal. He got it framed and hung it on his office wall. I felt the happiest, my teacher praised it too but my father’s reaction just made me want to be the greatest artist in the world, as I grew my interest in all forms of art grew too. Developing my unique style was a gradual process that involved a lot of exploration and experimentation. I immersed myself in studying different art movements and techniques, from classical realism to abstract expressionism. Over time, I discovered that blending these influences with my own perspectives and emotions allowed my distinctive voice to emerge. I began to focus on certain themes and motifs that resonated with me, such as the interplay of nature and humanity and used a combination of bold colours and intricate patterns to convey my vision. Additionally, feedback from mentors and peers, along with continuous practice and refinement, played a crucial role in shaping my artistic identity. Embracing both successes and failures along the way helped me to hone my skills and stay true to my creative instincts, ultimately leading to the development of my unique style.

In terms of subject matter, what themes or motifs do you frequently explore in your work, and what draws you to these topics?

My concept revolves around our 5 senses and it began with me just exploring the biology of it but I have delved deeper and found that I can connect the presence of our senses to our sense of being. The identity of a person stems from their memories, experiences and how they now react to the world. All of this is possible due to our senses. Bringing sense to the foreground in my art is key.

Your recent collection of saris explores the concept of intertwining nature and the five senses. Could you elaborate on the inspiration behind this collection and how you translated these ideas into your designs?

The inspiration behind my recent collection of saris, which explores the concept of intertwining nature and the five senses, stems from my educational background in the sciences and textiles. Studying pre-med opened my horizons to the intricate beauty of human anatomy and the profound ways in which our senses connect us to the world. This scientific foundation has enriched my understanding of art, leading me to explore how these two realms intersect. Science is about questioning and understanding the world, often using visual representations to make complex ideas more comprehensible. Similarly, art delves into the essence of our existence, albeit through a different lens. By merging scientific concepts with artistic expression, I aim to create something beautiful and meaningful. In this collection, each sari design translates the concept of our five senses connecting us to nature into vibrant and surreal prints. For instance, intricate patterns inspired by neural pathways may represent touch, while flowing designs mimicking the movement of air can symbolize our sense of smell. By doing so, I highlight how our sensory experiences shape our identity and our connection to the natural world. This concept is deeply personal, reflecting my journey from studying science to embracing art. It underscores the idea that our senses are not just biological functions but integral to our sense of being. Through these saris, I hope to evoke a sense of wonder and appreciation for the seamless interplay between our bodies and the natural world, celebrating the beauty found in both.

Can you tell us about your journey as a textile designer and artist?

My journey as a textile designer and artist has been a blend of curiosity, creativity, and a passion for innovation. It began with a deep interest in both science and art. While studying pre-med, I was captivated by the intricate beauty of the human body. This fascination naturally extended to textiles, where I found a perfect medium to express my artistic vision. I wanted to create designs that were new to audiences—prints and styles that are both enriching and aesthetically pleasing. Drawing from my scientific background, I started experimenting with patterns that reflect the complexity and beauty of nature and human anatomy. Each design became a unique fusion of these elements, aiming to captivate and inspire. Through continuous exploration and experimentation, I developed a distinct style that merges the intellectual depth of science with the expressive power of art. This journey has been incredibly rewarding, allowing me to bring fresh, innovative designs to the textile world while staying true to my passion for both science and art.

How do you stay motivated and inspired despite any setbacks or creative blocks you may encounter?

Staying motivated and inspired despite setbacks or creative blocks involves a few key practices for me. I always take breaks when needed, giving myself time to rest and recharge. Viewing my work from a distance and different angles helps me gain fresh perspectives and see things I might have missed. I also make sure not to rush the creative process, allowing ideas to develop naturally. This approach keeps me energized and open to new inspiration, even during challenging times.

Can you share a specific piece or project that holds particular significance to you, and walk us through the creative process behind it?

One project that holds particular significance to me is a series of paintings where I use a unique and unconventional medium: tar coal and petrol. This medium is quite special and personal to me, despite its health hazards, because of the striking and distinctive outcomes it produces. One piece from this series that stands out is a painting of a galloping horse. Horses have always fascinated me with their power and grace, and I wanted to capture that energy using this unconventional medium. The process begins with carefully handling and preparing the tar coal and petrol. Safety precautions are crucial, given the hazardous nature of these materials. I start by sketching the outline of the horse, focusing on capturing its dynamic movement and muscular form. Then, I apply the tar coal, using its thick, viscous texture to create bold, dramatic strokes that convey the horse’s strength and speed. The petrol adds an element of fluidity and unpredictability, as it interacts with the tar to create unique patterns and textures. The result is a painting that is both raw and refined, embodying the wild spirit of the horse while showcasing the unusual beauty of the medium. This piece is particularly meaningful to me because it represents the perfect fusion of my love for experimentation and my dedication to creating art that pushes boundaries. It’s a testament to the idea that beauty can be found in the most unexpected places and materials.

How do you incorporate feedback from critics and audiences into your artistic practice, and how do you balance this feedback with your own artistic intuition?

Incorporating feedback from critics and audiences is an important part of my artistic practice. I listen carefully to what others say, as their perspectives can offer valuable insights and help me see my work from different angles. I take note of recurring themes in the feedback, especially if multiple people point out similar strengths or areas for improvement. However, balancing this feedback with my own artistic intuition is key. While I consider and reflect on the input I receive, I always stay true to my vision and instincts. My work is a personal expression of my experiences and creativity, and it’s important that it remains authentic to me. Ultimately, I strive to integrate constructive feedback in a way that enhances my art without compromising my unique style and voice.

How do you feel about exhibiting your artwork with The Holy Art Gallery?

Exhibiting my artworks with The Holy Art Gallery is an exciting and fulfilling opportunity. I feel honoured to share my creations in such a respected space, and I’m thrilled to connect with a broader audience. It’s a wonderful chance to showcase my work and gain new insights from fellow artists and art enthusiasts.

Looking ahead, what are your long-term goals and aspirations as an artist, and how do you plan to achieve them?

Looking ahead, my long-term goals are to create more art collections for international solo exhibitions and to launch my own designer label. To achieve this, I plan to continue refining my skills, exploring new concepts, and seeking opportunities to showcase my work globally. I will also focus on building a strong brand identity for my designer label, ensuring it reflects my unique artistic vision and style. Networking with industry professionals and staying inspired by current trends will be key steps in realizing these aspirations.

What role does emotion play in your creative process, and and how do you aim to evoke specific feelings or reactions from those who view your drawings?

I aim to channel my own feelings and experiences into my drawings, infusing them with authenticity and depth. Through careful composition, use of colour, and expressive techniques, I strive to evoke specific feelings or reactions in viewers—whether it’s joy, contemplation, or introspection. Ultimately, my goal is to create art that resonates on an emotional level and sparks a connection with those who experience it.

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