Artist in conversation: Lunedecisive
“I show the strong feelings that human beings can experience: betrayal, love, suffering, joy, and much more — all in rather absurd situations”
Born in Switzerland, Lunedecisive has always been driven by a desire to explore new cultures. Her journey led her to London, where she immersed herself in the city's artistic scene, and later to Marseille, known for its vibrant atmosphere and artistic heritage.
Her travels extended to Asia, where the blend of ancient traditions and modernity deeply influenced her work. Lunedecisive's art portrays human weaknesses, vices, and oddities through painting and sculpture. She is currently expanding her creative repertoire with a clothing collection that mirrors her unique vision.
From dance and sewing to visual arts, her life is a continuous pursuit of creativity and beauty, constantly pushing the boundaries of her art.
What initially inspired you to become an artist, and how did you develop your unique style?
I've always been creative and self-taught, whether in sculpture, sewing, or creating concepts and objects. What drew me to painting is a rather funny story. I was with a family of artists in the south of France, waiting for them to finish their visual project so I could go to Asia. As it wasn't progressing as quickly as expected, I took one of the canvases and started painting to try to motivate or stress them out a bit. I discovered my passion for painting that day by coincidence a year and a half ago.
In terms of subject matter, what themes or motifs do you frequently explore in your work, and what draws you to these topics?
I show the strong feelings that human beings can experience: betrayal, love, suffering, joy, and much more— all in rather absurd situations.
How do you navigate the balance between self-destruction and re-creation as a way towards conscious Happiness?
I am a very emotional person. In my daily life, I tend to operate in extremes—either I love something or I dislike it, either I feel great or I let myself succumb to my darkest emotions. Art allows me to find a healthier balance than my default mechanisms.
Your work often explores the human condition. Are there specific philosophical or literary influences that shape the conceptual foundation of your universe, and if so, how do they manifest in your art?
I am mainly influenced by real situations that I or my loved ones have experienced, but my inspiration can also come from current world events or simply from something that happens during my day. A world with humans is inevitably filled with themes related to emotions.
Could you share a specific piece of art that holds particular significance to you or has a unique story behind its creation?
If I had to choose from my works, it would probably be the first one, "Once Upon a Time," or "Le joueur de pipeau".
The first one, because it introduces my world. In it, vice is represented in a human form with its snake cane, leading the little girl into a world filled with absurd situations. In each painting, at least one of the three elements is present.
A work by another artist would probably one made by Zdzisław Beksiński
How do you incorporate feedback from critics and audiences into your artistic practice, and how do you balance this feedback with your own artistic intuition?
It is very interesting to receive critiques and opinions from outsiders. Whether people love or hate my work doesn't matter to me. My creative process does not rely on others' perspectives. I do not wish to alter my artistic direction because of trends or opinions. Of course, all the positive comments and the support I am fortunate to receive provide me with additional motivation every day
How do you stay motivated and inspired despite any setbacks or creative blocks you may encounter?
I am very fortunate to have not yet experienced a creative slump. In fact, I have the opposite problem—I have many ongoing projects that are unfinished because I keep starting new ones. What is challenging is balancing my artistic life, my other activities, and social life. Finding a balance is extremely difficult, because if I listened to myself, I would do nothing but paint and create.
How do you feel about exhibiting your artworks with The Holy Art Gallery?
It was an amazing experience to have the opportunity to participate in the New York exhibition in March with The Holy Gallery. I must admit, the location in Manhattan, the atmosphere of the event—everything was perfect. New Yorkers are very supportive and expressive, their feedback on my art was very rewarding.
Looking ahead, what are your long-term goals and aspirations as an artist, and how do you plan to achieve them?
I want to explore new horizons, collaborate with other artists and artistic branches. I want to do completely crazy things and experiment with everything I can.
What role does emotion play in your creative process, and how do you aim to evoke specific feelings or reactions from those who view your drawings?
I'm not trying to evoke feelings in the people that view my drawings. I put a part of myself and my emotions into my creations and try to do so in the most authentic way possible.
